ScandoCrime, murder, art direction and scandavian interiors porn
Like many in the UK I'm hooked on Nordic crime dramas on the TV. The Killing, Arne Dahl, Wallander, Beck and best of all The Bridge. The plots are great, the acting is amazing and it's pretty much always difficult to work out who did it before close to the end. But along with the plots and the acting is the design, both the production design in the way they're shot and, of course, those interiors. Almost nobody in a ScandoCrime drama seems to live in a house or apartment I don't want!
To take those in order, the production design is always wonderful, The Bridge has a great colour sense, muted palette pretty much throughout with Saga's car and coat sometimes the only splash of colour in the shot. Okay, with something as magnificent as the Oresund Bridge to keep using as the backdrop the visuals were always going to be something special though. There is also great use of the rural locations, either eerie empty birchwoods with treetrunks as far as the eye can see or vast open expanses of farmland or moor with nothing between you and the mountains on the horizon.
(image from https://burntretina.wordpress.com/2014/01/04/the-bridge-is-not-a-documentary/)
No comments:
Post a Comment